poetry

Exploring art in old Japan

“maple leaf” is 11×14, painted with sumi ink and Japanese watercolors on paper and digitally edited. It appears as a page of a 2017 calendar of art and haiku. © Annette Makino 2016

“maple leaf” is 11×14, painted with sumi ink and Japanese watercolors on paper and digitally edited. It appears as a page of a 2017 calendar of art and haiku. © Annette Makino 2016

Besides a grand family adventure, my trip to Japan earlier this summer (see Journey to Japan) was also an exploration of Japanese art and haiku—and a chance to stock up on hard-to-find art supplies.

A major highlight of the trip was a visit to a famous art supply store in Kyoto, founded by a painter in 1863 and still run by his descendants. At the one-room Saiun-do (“Painted Clouds”), I found the fine brushes, made of weasel hair and bamboo, for which I had spent years searching. I also scored a fragrant new sumi ink stick and several ceramic pots of special "gansai" watercolors that are found only in Japan.

Later, I painted the Japanese maple leaves shown here with my new brushes, delighting in their smoothness on the page. How liberating to find brushes that work with me, not against me!

Through sheer serendipity, I was able to see woodblock art prints by one of my favorite artists, Hiroshige, at four different museums around the country. Ukiyo-e (literally, “pictures of the floating world”) were hugely popular in the Edo period, when the merchant class enjoyed decorating their walls with prints of beautiful geisha, kabuki actors and landscapes. "The Great Wave off Kanagawa" by Hokusai is probably the best-known example of ukiyo-e in the West.

It is estimated that in the 1850s, four to five million ukiyo-e were printed every year! The visual style, in which thin black outlines were filled in with blocks of color, was the forerunner of manga (Japanese-style comics). It also deeply influenced the beautiful anime (Japanese animated films) by director Hayao Miyazake, among others.

Annette Makino buys Japanese art supplies at Saiun-do in Kyoto, Japan in June 2016.

Annette Makino buys Japanese art supplies at Saiun-do in Kyoto, Japan in June 2016.

But it was only on returning home this summer that I realized how much my own art owes to ukiyo-e. Though painted on paper rather than carved into wood, my paintings typically consist of thin outlines of black sumi ink that bound areas of color. And my art, like Hiroshige’s in his day, is mainly intended to be printed and enjoyed by many, rather than hung in fine art museums.

I came to Japan to study the old masters—and found a part of myself.

rice paper moon
pine trees brush
the inky sky

Makino Studios News

North Country Fair: Humboldters, come celebrate the fall equinox at the 43rd annual North Country Fair on the Arcata Plaza this Saturday and Sunday! The fair runs from 10 a.m. to 6 p.m. both days. There will be 170 art and craft vendors, three music and entertainment stages, local food booths, activities for kids, and a daily parade at 1 p.m. Come visit my Makino Studios booth on G Street near Moore’s Sleepworld!

New2017 calendars: For the fourth year in a row, I have created a mini-calendar of my art and haiku. Featuring animals, landscapes, and other scenes from nature, the 2017 calendars have just come off the press and will debut at the fair. They can also be ordered through the Makino Studios shop on Etsy.

New keychains: I have designed two different wooden keychains featuring my art and haiku, one of a playful dog and one of a Humboldt redwood. These laser-engraved keychains will be offered at the fair this weekend and are also available on Etsy.

New card designs: Heirloom tomatoes, redwood forests, and river landscapes are the subjects of some of my latest greeting cards, due off the press this week. Check them out at the fair or the Makino Studios Etsy shop.

Seabeck Haiku Getaway: This fun and inspiring haiku retreat takes place Oct. 27-30 in Seabeck, Washington next month. I will be presenting on my trip to Japan with photos and haiku. I look forward to playing and learning with other haiku poets in a beautiful natural setting!

Eastward ho!

“mountain meadow” is 11×14, painted with sumi ink and Japanese watercolors on paper. © Annette Makino 2015

“mountain meadow” is 11×14, painted with sumi ink and Japanese watercolors on paper. © Annette Makino 2015

At the Seabeck Haiku Getaway in Washington last fall, we started with a fun icebreaker: write down five items from your bucket list, then walk around the room and share with other participants. (For more about Seabeck, see The path unfolds.)

After the exercise, my daughter Maya and I compared lists. I definitely don’t share her dream of working a stint as a bartender! But it turns out that we both had the exact same number one wish: to travel to Japan as a family.

Meanwhile, Makino Studios turned five years old in March. Thinking about how to mark this milestone, I remembered the bucket list exercise. It occurred to me that the best way to celebrate would be to use some of my earnings to take our family to Japan. How fitting that a business that draws deeply from the traditions of Japanese art and haiku would enable us to travel there.

So we are off early next month for three weeks of exploration and adventure! This will be the first trip to Japan for our teens; it is the fourth trip for me and the second for my husband Paul. My sister Yoshi will join us for the first and last few days of the trip.

Our itinerary includes visiting Japanese relatives in Tokyo and touring the venerable 320-year old Makino sake factory in Takasaki. We’ll also see the Makino temple and a cemetery there containing family tombs from ten generations.

My mother, sisters and I (standing, left) wear kimonos sent from Japan by my grandparents. (Santa Monica, California, 1969.)

My mother, sisters and I (standing, left) wear kimonos sent from Japan by my grandparents. (Santa Monica, California, 1969.)

I’m also excited to hike along the ancient Nakasendo trail in the Japanese alps, where stone tablets commemorate visits by revered haiku poets Basho and Shiki. We will soak in hot springs and explore Japanese temples, gardens, castles, and museums.

To experience Japanese life more deeply, we will mainly stay in ryokan (traditional Japanese inns) and a variety of homes booked through Airbnb. As lovers of Japanese cuisine, we are especially excited about the food! I imagine I’ll find much artistic inspiration throughout.

While the earnings from my art business are modest, the psychic rewards are incalculable. (I just don’t think I’d feel the same about bartending.) To all my store buyers, customers and supporters over the past five years, I bow in thanks.

salt breeze
all the countries
on my bucket list

warmly, Annette Makino

Makino Studios News

ukiaHaiku Awards: At the ukiaHaiku Festival on April 24, this poem of mine won second place in the Jane Reichhold International Prize, out of 412 entries from six continents:

unconcerned
with divorce rates
mating butterflies

And this one took third in the Dori Anderson Prize for haiku about Ukiah:

a row of raindrops
hanging on the clothesline—

manzanita blossoms

Newest stores: The list of Makino Studios card retailers now includes Down to Earth in Eugene, Oregon; Three Sisters in Ukiah; and Swish Healdsburg in Healdsburg, California. If there is no store in your area, you can order online through my Etsy shop.

Order by June 1: As I’ll be traveling in Japan, I will not be able to fill online or store orders between June 2 and June 28.

Connecting: I appreciate the kind responses to my last post, on International Haiku Day. You can get news, fresh art and haiku on my Makino Studios Facebook page and my Twitter feed.

Publication credit: “salt breeze” was published in Exhaling, the Seabeck 2015 anthology; it tied for second place in the Seabeck kukai (a haiku contest determined by participating poets).

Happy Haiku Day!

April is National Poetry Month, and today, April 17, is Haiku Poetry Day! In celebration, here is a sampling of haiku and senryu I’ve published over the past year. And if you’d like to try your hand at this subtle art form, you might enjoy “The Discipline of Haiku” by poet Michael Dylan Welch.

Remembering the Great East Japan Earthquake

“when someone you love” is 11×14, painted with sumi ink and Japanese watercolors on paper, and digitally edited. It is available as a sympathy card. © Annette Makino 2016

“when someone you love” is 11×14, painted with sumi ink and Japanese watercolors on paper, and digitally edited. It is available as a sympathy card. © Annette Makino 2016

I’m writing on the fifth anniversary of the devastating earthquake, tsunami and nuclear disaster in Japan. It’s so hard to lose someone you love; multiply that grief by the nearly 16,000 people killed in the 2011 disaster, and the amount of suffering unleashed is overwhelming.

In addition, more than 200,000 people are still displaced from their homes, and the Fukushima nuclear plant continues to dump radioactive water into the sea.

And yet, we are such a resilient species. Japan is busy rebuilding, restoring and recovering.

My husband Paul happens to be in Hiroshima today, chaperoning a group of high school students. He reports that the city has emerged from the horror of the atomic bombing to become a lovely and vibrant place. The people of Hiroshima have transcended the nightmare of the past.

I’m sharing two paintings here. The piece above is a recent painting of an egret flying over a tilted marsh landscape. The words are adapted from a poem I wrote for my father after he died four years ago; he would have been 86 tomorrow. The piece is a close-up and personal portrait of loss. (See On Love and Loss and a Man Named Quantum.)

“May a thousand cranes” is 9×12, painted with ink on rice paper. © Annette Makino 2011

“May a thousand cranes” is 9×12, painted with ink on rice paper. © Annette Makino 2011

I painted the piece of flying cranes, left, in March 2011, a couple days after the Great East Japan Earthquake. Along with my first-ever blog post, A Prayer for Japan, it interweaves my personal connection to Japan with a prayer for healing and recovery.

warmly, Annette Makino

Makino Studios News

New card designs: I have been busy painting, and just got eight new card designs back from the printer! You can find them in my Etsy shop or view them in my online gallery. They are also making their way into stores.

Kamome, The Boat of Hope: Two years after the tsunami, a small wooden boat from a high school in Japan washed up in Crescent City, California, about 75 miles north of Arcata. The Extraordinary Voyage of Kamome: A Tsunami Boat Comes Home tells the story of how the boat has linked two communities across the Pacific. Thisbeautifulchildren’s book was written by Lori Dengler and Amya Miller and illustrated by my friend Amy Uyeki.

Japan in June: My family is heading to Japan for three weeks in June! This will be our first trip there together. We are still planning our itinerary, but I am very much looking forward to finding new ideas and inspiration for art and haiku.

Portrait of the artist as an entrepreneur

“Kaya in the Klamath” is 11×14, painted with sumi ink and Japanese watercolors on watercolor paper. It is available as a signed 11×14 digital print or a card reading “I’m here for you.” © 2015 Annette Makino

“Kaya in the Klamath” is 11×14, painted with sumi ink and Japanese watercolors on watercolor paper. It is available as a signed 11×14 digital print or a card reading “I’m here for you.” © 2015 Annette Makino

Once upon a time, in Mrs. Miller’s 12th grade English Honors class, we each had to make a persuasive speech on a topic of our choice. Like most of the talks, mine was terribly earnest, about Nestlé pushing infant formula on breastfeeding mothers in poor countries. But when it was her turn, my friend Betsy walked to the front of the classroom smacking her chewing gum, and gave a hilarious speech in favor of gum, vigorously chewing all the while.

A few decades later, she’s still fun, creative and original. These days, she and her husband run an art brand management and consulting company in San Francisco called February 13 Creative. On her blog, Betsy recently launched a series of art brand stories with various artists. I was honored to be the first in the series. I hope you enjoy this excerpt!

art brand stories: Annette Makino 

(by Betsy Cordes of February 13 Creative, reprinted with permission)

My very first interview is especially meaningful for me because it’s with someone I’ve known for a very long time—since our days together at Ukiah High School in Northern California—long before either one of us had any idea that our paths would re-intersect one day thanks to art careers that each of us took up later in life.

I’m happy to introduce you to my friend, Annette Makino, an artist and writer who combines both talents in her beautiful watercolor and sumi ink paintings. Annette is inspired by the Japanese tradition of haiga, artwork combined with haiku so the image and words deepen each other. Annette has always had a quiet, sly, Zen sense of humor and I especially love seeing that side of her pop into her artwork.

“2016 in Art and Haiku” is a mini-calendar measuring 5.5 x 8 when closed. Most of the Japanese-inspired art in this calendar includes my original haiku.

“2016 in Art and Haiku” is a mini-calendar measuring 5.5 x 8 when closed. Most of the Japanese-inspired art in this calendar includes my original haiku.

One thing I most admire about Annette’s story is her process of slowly switching from a career in international relations to one based on her artwork. In  2010, she began deliberately building her art brand while keeping one foot in her international relations work (as a consultant) and developing some passive income streams. Making a transition to self-employment—especially as an artist—takes a lot of discipline. It’s not uncommon to hear from folks who just want to dive straight in: devil take the hindmost, an artist’s life for me! Annette is doing it in small, thoughtful steps—an approach that I suspect will ensure a long life for her art-based business.

So, without further ado, our first Art Brand Story… Annette Makino!

Betsy: You come from a very creative and intellectually engaged family. I’ve always admired that in your home (both your childhood home and the home you’ve made with your husband and kids): that artmaking is celebrated and encouraged as much as academic pursuits. But you didn’t initially pursue college studies or a career in art, did you? How and when did your artmaking begin to play a bigger role in your adult life?

Annette: Art was always strongly encouraged in my family. Whenever my two sisters and I asked our mother what she wanted for her birthday, she suggested a drawing, painting or poem. For years up through high school, we kids created a calendar of our art that we photocopied and gave to relatives and close family friends. But other than a year of art classes in my early twenties, I didn’t do art seriously until I left the nonprofit executive world . . .

Read the rest of the story

Other art brand stories

Makino Studios News

Free Shipping: Through November 30, 2015, I’m offering free shipping on orders of $20 or more in my Etsy shop. Use coupon code FREESHIP2015.

Arts Arcata this Friday: Humboldt Pet Supply, which carries my dog and cat-themed art, including the piece above, is hosting a reception this coming Friday, Nov. 13, 6-9 p.m. during Arts Arcata. HPS is located at 145 South G Street in Arcata, CA.

Holiday cards: I’ve painted three new holiday card designs. They feature a cat stalking a mouse ornament, a naughty dog and a chili pepper wreath. They are available from my Etsy shop and in stores.

2016 calendar: wall calendar of art and haiku, featuring twelve of my paintings of landscapes, animals and flowers, is on sale in stores and online. From ocean waves to oak-covered hills, this mini-calendar provides a monthly dose of Zen wisdom.

Made in Humboldt: More than 50 card designs plus prints and calendars will be offered at this holiday sale at the Garden Shop of Pierson Building Center in Eureka, CA Nov. 17-Dec. 24.

Holiday Craft Market: Makino Studios will have a booth at this fair in the Arcata Community Center in Arcata, CA on Saturday and Sunday, Dec. 12-13.

The path unfolds

“leaf light” is based on a 19×12 original, painted with sumi ink and Japanese watercolors on rice paper. It is available as a signed 11×14 digital print or a card. © 2013 Annette Makino

“leaf light” is based on a 19×12 original, painted with sumi ink and Japanese watercolors on rice paper. It is available as a signed 11×14 digital print or a card. © 2013 Annette Makino

Our daughter started college this fall. Before it happened, I couldn’t fully understand how much lies behind that simple statement—hope and excitement for your child’s future mixed with worry and sadness at their leaving.

For weeks after we dropped Maya off, the smallest thing could bring me to tears, like measuring oatmeal for three instead of four. My husband, son and I all miss her effervescent spirit, affectionate nature and hilarious observations. She has left our home quieter, tidier, and less exciting. It seems unfair that after eighteen years of the hard work of parenting, now that she’s pretty much perfect, she’s gone!

But happily, I got to visit Maya at the University of Puget Sound in Tacoma, Washington earlier this month. (In a sweet bit of synchronicity, my freshman roommate at Stanford lives ten blocks from campus, so I also got to visit this dear friend.) To my delight, Maya decided to accompany me to the Seabeck Haiku Getaway.

geese arrowing south
part of my heart
in the passenger seat

For four days along beautiful Hood Canal, fifty poets talked, wrote and shared haiku, and I enjoyed giving a presentation on the process of creating my haiga (haiku art). As ever, it was a fun and inspiring retreat, and there was even time to hike through the woods and soak up sunlight by the lagoon.

awakened
by the breakfast bell—
sun through cedars

Haiku ahead! Annette Makino and daughter Maya at the Seabeck Haiku Getaway, October 2015.

Haiku ahead! Annette Makino and daughter Maya at the Seabeck Haiku Getaway, October 2015.

Between studying and writing essays for school, Maya penned some fine haiku of her own, like this one:

autumn clouds
all the people
I could be

And at the end of the long weekend, two of my poems, less than an hour old, won prizes in the “kukai” haiku contest. This one, written while lying under a big maple tree with Maya, is a gentle message to myself in this time of transition:

a gust of wind
swirls through the maple—
the art of letting go

Back in 2013, when I returned from Seabeck, I created the “leaf light” piece above based on a forest trail there. Thinking about Maya’s leaving, it is a reminder to have faith in times of loss, change and uncertainty—and to keep walking.

leaf light
tree by tree
the path unfolds

 •

Makino Studios News

2016 calendar: A wall calendar of art and haiku, featuring twelve of my paintings of landscapes, animals and flowers, is now on sale in stores and online. From ocean waves to oak-covered hills, this mini-calendar provides a monthly dose of Zen wisdom.

New cards: I’ve posted eleven new and updated card designs to the MakinoStudios Etsy shop and they are also available in stores.

Made in Humboldt: More than 50 card designs, plus prints and calendars will be offered at this holiday sale at the Garden Shop of Pierson Building Center in Eureka, CA Nov. 17-Dec. 24.

Holiday Craft Market: Makino Studios will have a booth at this fair in the Arcata Community Center in Arcata, CA on Saturday and Sunday, Dec. 12-13.

Connecting: I appreciate the kind responses to my last post, “One brushstroke at a time.” You can also get news, art and haiku on my Makino Studios Facebook page and my Twitter feed.

"leaf light" has been published in The Sacred in Contemporary Haiku, edited by Robert Epstein, 2014; and in the 2013 Seabeck anthology, A Warm Welcome (it is also used for the cover art).

Before we were tamed

“fox tracks” is 11×14, painted with sumi ink and Japanese watercolors on paper. It is also available as a card reading “happy birthday, bright spirit.” © 2015 Annette Makino

“fox tracks” is 11×14, painted with sumi ink and Japanese watercolors on paper. It is also available as a card reading “happy birthday, bright spirit.” © 2015 Annette Makino

For the past twenty years, my family and I have lived in the country on the side of a redwood-covered hill. In the morning the woods fill with bird conversations, and we often glimpse deer and foxes wandering past our house.

A raccoon that hung around our compost pile got nicknamed Deke, short for “decomposition.” But when “he” showed up one day trailing four fluffy baby raccoons, we had to rename her Delilah. Because we don’t have the heart to chase them off, Delilah and her grown children have grown quite comfortable strolling past our windows and staring at us curiously.

watchful eyes . . .
bit by bit the wild raccoon
tames us

Living among all this wildlife has gotten me thinking about humans’ connection with nature: what we’ve forgotten, what we can learn, and what we know deep down. At a time when human activity is pervading every corner of the planet, from the deepest oceans to near space, I’m wondering what it means to be wild.

fox tracks . . .
who were we before
we were tamed?

“love from the gang” is 11×14, painted with sumi ink and Japanese watercolors on paper. It is also available as a card reading “love from the gang.” © 2015 Annette Makino

“love from the gang” is 11×14, painted with sumi ink and Japanese watercolors on paper. It is also available as a card reading “love from the gang.” © 2015 Annette Makino

Despite our complex civilizations and sophisticated technologies, we humans share 90% of our DNA with mice. How different are we really from Delilah and her children?

With such questions in the back of my mind, this spring I painted a series featuring our woodland neighbors and some of the natural places around Humboldt County.

chigger bites
my finger traces
the wilderness map

The road to our house runs along a lovely little stream shaded by redwoods, alders and maples. But if you look closely, you can find chunks of styrofoam hidden in an old-growth redwood stump. Old appliances and bags of contaminated soil from marijuana grows are dumped just above the stream bed.

Though humans are supposed to be the most advanced species on the planet, ours is the only one foolish enough to destroy its own habitat. Can we remember how to live in balance before it’s too late? Can we regain the common sense of the common field mouse? Perhaps by the simple act of spending more time in nature, walking, watching and listening, we can start to feel our wild hearts again.

in wilderness
we find our way home

Makino Studios News

North Coast Open Studios: I'll be on hand to share my new wilderness-inspired paintings at Ramone’s Bakery & Café in Old Town Eureka, California this coming Saturday and Sunday, June 6-7, from 11 to 5 both days. My friend Tina Gleave will show her stunning silk paintings of landscapes and other natural images. We’ll also demonstrate our tools and techniques and have new cards and prints for sale. In addition, there will be a free raffle with two prizes: we are each giving away a $25 gift certificate towards our art.

Arts Alive at Ramone’s: Piggybacking on our Open Studios event, Tina and I have a joint show at Ramone’s called “Before we were tamed.” There will bean opening during Arts Alive this Saturday, June 6, from 6 to 9 p.m., and the show runs through June.

New Cards: Twenty-four new and updated card designs are now available in my MakinoStudios Etsy shop. I’ve also clarified how you can order any six designs for $19.99. (My shop will be closed June 13-20 while I’m on a painting vacation.)

Haiku Award: I’m happy to share that one of my haiku won the Dori Anderson prize for the best haiku about Ukiah, California at this year's ukiaHaiku Festival.

Mendocino spring
only ten shades of green
in my paint set

New Fortuna Store: My cards can now be found at Madame Fortuna's Lucky Heart Shop, a store selling herbs, orchids, books, and gifts that just opened in Fortuna, California. See the Store page for a complete list of places that carry my cards.

Connecting: I always love hearing from you. You can get news, fresh art and haiku on my Makino Studios Facebook page and my Twitter feed.

An earlier version of the haiku “fox tracks” first appeared in The Heron’s Nest, XVII:1. “Chigger bites” was published in The Heron’s Nest, XVII:2.