The tale of three sisters and a blank calendar

“egret wings” is 8x10, made with paper, acrylic paint, pen and glue on cradled wood. It is part of the Makino Studios 2025 calendar of art and haiku. A card version reads, “wishing you a wonder-full birthday”. © Annette Makino 2024

First of all, I’m excited to share that my 2025 calendars have arrived! This is the twelfth year in a row that I’ve produced a mini-calendar of my art and haiku (and they are still only $12). I’m so pleased to be able to share the culmination of a year’s worth of art-making with you.

fresh calendar
the squares empty
with promise

But today I want to tell you about the deep roots of this calendar project. I co-produced my first art calendar back in 1976, at the ripe old age of 13. My mother, two younger sisters and I were living in Basel, Switzerland with my elderly grandmother that year. One fall afternoon, my mom brought home a calendar for the following year with a blank space for each month’s image. She asked us three girls to create the art. We set to work with our colored markers on the floor of our shared bedroom. I remember drawing a scene of the birch woods near my grandmother’s house, fiery in yellow and orange leaves. Our mom, who always encouraged our creativity, loved the calendar.

"Another Makino Production" - art calendars by Erika, Annette, Yoshi and Yuri Makino

Back in the US the next year, we three created another calendar from scratch, photocopied it and gave copies to close friends and family for the holidays. We continued to make these every year through our teens and college years, labeling them “Another Makino Production.”

Through the 70s we drew unicorns, butterflies and mimes. In the early 80s these gave way to punk/New Wave-inspired designs and absurdist pen and ink sketches with titles like “Mr. Zapkins Takes a Bath.” When we were in late high school and college, the calendars included portraits of boyfriends and, in the case of my sister Yoshi, detailed assignments from art school. Besides pen and ink drawings, we featured scratch board art, black and white photos and linoleum block prints—anything that would Xerox well.

"Birth of Annette" by Annette Makino, December 1966 (age 3-1/2).

But as we got busy with the rest of life, it became harder to come up with four artworks apiece. One year we stretched our offerings by producing a “special artistic retrospective” that featured some charmingly strange drawings from our toddler days. One depicted my birth, or so I explained at the time. We also included sketches by our mom, Erika, as a guest artist.

Untitled, by Yuri M., produced around 3 a.m. some night in late 1980 (age 13)

Another year, my sister Yuri stayed up till 3 a.m. the night before our deadline, making a sketch of one of her running shoes, laces trailing. It was a decent likeness, but oddly small and pathetic on the page. It looked like the desperate last-minute measure that it was, and we have laughed about it ever since. Though my sisters and I stopped producing our calendar in 1987, my collection is a precious time capsule of our youth.

Fast waaaay forward to 2013, and I created the first Makino Studios calendar of my art and haiku. To my surprise, the 400 calendars I printed that year sold out—even though my customers were not all blood relatives! Over the past dozen years, these annual calendars have continued to earn fans—I love hearing how people ship them to friends around the country and abroad. And my sisters still provide valuable critiques of my works in progress.

November rain
the swaying palms
on the calendar

While my artistic technique has improved since I was 13, I still get just as much pleasure from creating a usable collection of art and sharing it with the world. In fact, I consider the Makino Studios mini-calendar to be a tiny rotating art gallery. Thanks to all who have served as curators by hanging one on your wall! There are no unicorns (or running shoes) in the 2025 edition, but I hope you will enjoy it all the same.

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Makino Studios News

These 2025 mini-calendars measure  5-1/2” wide by 7” tall closed (5-1/2” x 14” open). The calendar includes an artist’s bio and some background on haiku and haiga (haiku art). These are professionally printed in the USA on substantial paper and saddle-stitched.

NEW! 2025 calendars: Featuring original haiku and Asian-inspired collages of peaceful landscapes and animals, my mini-calendars are $12 each. Special thanks to those who agreed to serve as my focus group, helping me decide which pieces to leave out and which to put on the cover.

New cards coming: Birthdays, sympathy, get well, holiday and everyday—I have ten new card designs coming off the press soon. Check for them around Sept. 25 in the card section of the Makino Studios site!

Free shipping: I offer free US shipping on orders of $35 or more. Just enter promo code FREESHIP35 at checkout.

Henderson Haiku Awards: This year I was honored to serve as one of the two judges for the Haiku Society of America’s flagship haiku contest. Fellow haiku poet P.H. Fischer and I pored over more than 1200 poems to find our favorites. Check out the winning poems and our commentary.

Seabeck Haiku Getaway: Sponsored by Haiku Northwest, this fun and inspiring gathering takes place in Seabeck, Washington October 24-27. I will be there and can highly recommend this annual event for beginning and experienced haiku points alike. P.H. Fischer and I co-edited the conference anthology for last year’s getaway, sparking memories of a great long weekend of marinating in haiku.

Made in Humboldt Holiday Fair: I’ll have Makino Studios wares, including 2025 calendars, notecard sets and books at Pierson’s Garden Shop in Eureka, CA November 5-December 24.

Arcata Holiday Craft Market: Mark your calendars: my only in-person event of the whole year will take place Saturday and Sunday, December 14-15 at the Arcata Community Center in Arcata, CA. This festive event raises scholarship funds for low-income youth to participate in the City of Arcata’s recreation programs.

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The haiku “egret wings” was first published in Wales Haiku Journal.

“November rain” was first published in Frogpond, the journal of the Haiku Society of America

"The Three Sisters" by Yuri Makino, 1971 (age 4).

Campaign twist

“mixed ancestry” is 8x10, made of a letter and envelope from my Swiss grandmother, Japanese washi paper, buttons covered with kimono fabric, a feather, acrylic paint, thread and glue on cradled wood. It is on view at Medium Gallery in Ukiah, CA through August 2024. © Annette Makino 2021

What a wild stretch we’ve had on the political front! Just three weeks ago, with Joe Biden insisting he was staying in the presidential race and the assassination attempt on Donald Trump, things felt very dire to me. The mood at the Republican National Convention was triumphant as surveys of voter opinion showed Biden slipping farther and farther behind Trump.

dry thunder
the latest polls
roll in

But then, as you possibly may have heard, Biden graciously withdrew his reelection bid. With uncharacteristic speed, the Democrats united around Vice-President Kamala Harris as their presumptive presidential nominee.

campaign twist
our menu options
have changed

It’s been amazing to see the tsunami of energy and excitement this has unleashed among Democrats: endorsements, donations, volunteer signups, voter registrations, even TikTok memes! Although the race is still very tight right now, I take heart that many polls are starting to favor Harris. We may not be doomed to another Trump presidency after all. In an unfamiliar turn of events, reading the headlines is actually making me happy!

election news
with a side of ice cream
the taste of hope

I’m struck by how much I have in common with Kamala Harris. We are both Democratic women around age 60 from Northern California. We are both married with two adult children, stepkids in her case. Her husband is Jewish; mine is half-Jewish. She has a sister named Maya, like my daughter. We were both raised by immigrant parents: hers from India and Jamaica, mine from Switzerland and Japan. We both grew up partly overseas but mainly in the United States. And we are both biracial, specifically half-Asian.

True to form, Trump has leaned into racist attacks on Harris and questioned her Black credentials because she is also Indian, saying, “So I don’t know, is she Indian or is she Black?”

But over 12% of Americans identify as multiracial. We understand that you can embrace more than one race just as you can have both German and Irish ancestors. Yes, it can be trying when strangers ask, “What are you?” In the Facebook group Subtle Halfie Traits, people who are part Asian lament the challenges of navigating their different races or not being fully accepted by one side or the other.

But overall, I love my blend of ethnicities and cultures. Because of my mixed parentage, I lived in both Switzerland and Japan as a child. I speak several languages and have traveled widely. My world is so much richer thanks to my hybrid background.

mixed ancestry the warp and weft of me

Nothing is guaranteed; we have to work for it. But I am fired up to elect our first female, Black and Asian President. (Oh, and I love her boisterous laugh and joyful energy; what a contrast with Trump!) I’m sure that if Harris wins the November election (knock on wood), her unique background will be a valuable asset to our nation. Her leadership will draw from a firsthand understanding that diverse races and cultures only strengthen the vibrant tapestry that is America.

spacious skies
the bald eagle leans
into the wind

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Makino Studios News

2025 calendar focus group: I have almost finished the collages for my 2025 mini-calendar of art and haiku! I could use some input on which image to use for the cover and which of the 13 pieces to leave out. If you’re interested in getting a sneak peek online and voting on the contestants, please let me know by email (link below). Thanks!

Rattle Editor Timothy Green interviews Annette Makino about her haiku on Rattle’s podcast on July 21, 2024. Starts at the 2:00 mark.

Rattle podcast: I’m delighted that my “dry thunder” haiku was selected for Rattle Poetry’s weekly Poets Respond feature. On their July 21 podcast, I spoke briefly with Editor Timothy Green about how I came to write the poem. Watch it on YouTube starting at the 2:00 mark.

Q&A: A Closer Look with Annette Makino: Erica Goss recently interviewed me for her Sticks & Stones poetry newsletter about how I combine art and haiku in my haiga. Erica is an award-winning poet and a friend since babyhood; check out her site.

Anywhere But Here: Several of my collages, including “mixed ancestry,” shown above, are on display this month at Medium Gallery in Ukiah, CA. The exhibit features reflections on time and place, longing, wanderlust, and exploration. The show runs until August 31.

Made in America II: A Humboldt Celebration of Asian Artists: The Humboldt Arts Council will host a show by thirteen Humboldt County artists of Asian descent at the Morris Graves Museum of Art in Eureka, CA in May 2025. I’m honored to be part of the group and am organizing an accompanying poetry reading and haiga slide show.

Obon Festival: The annual Humboldt Obon festival takes place in Arcata, CA this Sunday, August 11 from 4-8 pm. This traditional Japanese festival, which remembers and honors our ancestors, will be held on 9th Street in front of the Arcata Playhouse. Although I won’t have a booth there this year, it’s always a fun and festive time!

Solving the puzzle

“baby sparrow” is 11x14, made from paper, acrylic paint, pencil, charcoal and glue on birch panel. It is one of two pieces now showing at the Medium Gallery in Ukiah, CA. The image is also available as a card reading, “so happy you were born.” © Annette Makino 2022

First of all, Happy Fourth of July! To celebrate, I’m offering 20% off everything in my Makino Studios shop (except original art) on orders of $20 or more. Just use code 4JULY at checkout before midnight this Sunday.

In the months since I last wrote, I’ve spent a lot of time caregiving for my 96-year-old mother. I’ve also been been traveling—I spent most of April exploring and hiking through the gorgeous, otherworldly Southwestern US (see pics on my Insta and Facebook, links below).

red rock canyon
just a matter
of time

But my main activity of the past few months has been making art. While some artists can create under any conditions, I need everything to be just so to feel ready to work. A cluttered art studio and too many urgent items on my to-do list are creative turnoffs: I need a clean space and a clear mind. Since my artistic urge is such a fragile flower, I try to nurture it whenever it blooms.

After a creative dry spell of several months, conditions have been right for a very productive artistic streak. At the moment I have eleven new collages waiting to be scanned and combined with haiku. With several more ideas percolating, there should be plenty of pieces to choose from for my 2025 calendar of art and haiku. Many of these pieces will also become cards once I figure out the words. I’m excited to share the new work with you this fall!

Sometimes while struggling with a piece, I wonder why I bother making collages. They can take as much time or more as regular paintings. So why bother fiddling with little bits of colored paper to make an image that I could just as easily paint, with more realistic results?

Well, after a decade of making fairly representational paintings in Japanese watercolors and sumi ink, I felt I had come to the end of that approach. My 2021 book, Water and Stone, was the culmination of that ten-year period. Though several notches short of mastery, I had reached a level of ability where there was not enough of a challenge left to interest me. Even though it can be uncomfortable or scary to try something new, I enjoy being stretched.

baby sparrow
the thin line between
falling and flying

I also love solving puzzles. For a couple of years I was hooked on playing the Scrabble-like game Words With Friends on my phone, absurdly spending up to an hour to find the highest-scoring word for each turn. Some years earlier, while staying in a Swiss village with my family, I got so addicted to completing a jigsaw puzzle that I missed out on a magical, snowy New Year’s Eve walk—as my husband keeps reminding me.

a thousand-piece puzzle deeper into winter

Alas, I was denied the satisfaction of finishing that puzzle: the last piece was missing.

thrift store puzzle
the holes
you can never fill

I recently realized that I enjoy making collages because it’s a continuous process of solving puzzles. The challenge: using only torn bits of paper, how can I create the picture I have in my mind? Which collage papers from my stash best represent the colors, textures and sizes I need to create that image? Sure, I can paint papers specifically for a particular need, but that is time-consuming and messy—I much prefer to hunt for the right piece from the collection of papers I’ve already painted.

Process shot of the golden retriever piece.

A couple of weeks ago I was working on a scene of a golden retriever at the beach. I leafed through my collection of painted blue papers for a way to represent the waves. Aha! A sheet printed with slate blue paint in a lively texture obtained by wrinkling tin foil and then rolling paint over it. And a bit of lacy white rice paper that could serve as the foamy edge of the wave. Oh, and for the dog’s chest, a deep gold piece of a map with Arabic place names that could imply long, wavy fur. Puzzle pieces falling into place. And the collage takes form.

rustling paper
          becomes wings
                    becomes wind

I’m looking forward to lots more puzzling ahead as I figure out how to make my collages come alive. Here’s wishing you a fun July 4th weekend and a fulfilling summer!

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Makino Studios News

Fourth of July sale: Cards, notecard sets, prints, books and more—take 20% off site-wide through this Sunday at midnight on orders of $20 and up! Enter code 4JULY at checkout. Offer excludes original art.

Paper, Paste, and Pulp: I have two collages in this show at Medium Gallery in Ukiah, CA. The opening is during First Friday tomorrow, July 5, from 5 to 8 p.m. and the show runs until July 27. The gallery is in the Pear Tree Shopping Center near Bank of America. I can’t attend the show but if you happen to make it, please send pics!

Anywhere But Here: I’ll also be represented in the Medium Gallery’s August show, with reflections on time and place, longing, wanderlust and exploration. The opening is during First Friday on August 2 from 5 to 8 p.m. and the show runs until August 31.

Made in America II: A Humboldt Celebration of Asian Artists: The Humboldt Arts Council has accepted a proposal for a show by thirteen Humboldt County artists of Asian descent, to be held at the Morris Graves Museum of Art in May 2025. I’m honored to be part of the group and plan to organize an accompanying poetry reading and haiga slide show.

Away on retreat: I will be on creative retreat at the Klamath River for the week of July 13-20, making collages and writing haiku. Makino Studios orders will be shipped out on my return.

Obon Festival: The annual Humboldt Obon festival takes place in Arcata, CA on Sunday, August 11 from 4-8 pm. This traditional Japanese festival, which remembers and honors our ancestors, will be held on 9th Street in front of the Arcata Playhouse. Organized by Humboldt Asian Pacific Islanders (HAPI), this is a fun, family-friendly community event. I don’t plan to have a booth there this year but it’s always a good time!

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Publication credits: “baby sparrow” - The Heron’s Nest; A New Resonance 13: Emerging Voices in English-Language Haiku; 2023 calendar of art and haiku by Annette Makino

“red rock canyon” and “a thousand-piece puzzle” - The Heron’s Nest

“thrift store puzzle” - Modern Haiku

“rustling paper” - Kingfisher

Taylor Swift and the Trope of the Tortured Poet

“dawn’s early light” is 8x10, made from Japanese washi papers, metallic gold paper, book pages, paint and glue on cradled wood panel. It is the February art for my 2024 calendar. A card version reads, “you light up the room.” © Annette Makino 2023

I must admit I ignored Taylor Swift for years, thinking a pop star with such mainstream popularity, a pretty blonde beloved by teenage girls, would not be my cup of tea. But with the 2020 release of her folk-pop album Folklore, I took another listen—and became a fan. I belatedly discovered she is a gifted songwriter who writes original and interesting lyrics.

As you’ve probably heard, Swift has announced a new album called The Tortured Poets Department, to be released April 19. So does Swift consider herself a tortured poet? As evidence, there is a hand-written poem she recently posted to Instagram that includes lines like “my muses, acquired like bruises” and “my veins of pitch black ink.” Another subtle clue: it’s signed “The Chairman of the Tortured Poets Department.”

And yes, her lyrics often convey suffering. In “All Too Well” she sings, “you call me up again/Just to break me like a promise/So casually cruel in the name of being honest.” And on “Cardigan” she sings, “You drew stars around my scars/But now I’m bleeding.”

But the pain she describes is just one element of her persona; other songs talk about falling in love or tell colorful stories about fictional characters. I suspect Swift’s use of the “tortured poets” label is at least partly tongue-in-cheek, offered with her trademark combination of confession and self-deprecating humor. I guess we Swifties will just have to wait until April 19 for further clarity on this burning issue!

Meanwhile, the album title raises the question: do poets need to be tortured to write good poetry? The poster child for this stereotype is Sylvia Plath, a brilliant poet of pain and despair who took her own life at age 30. For awhile I found that my darker haiku had higher acceptance rates than my neutral or upbeat poems—proof that such poems are inherently stronger or more compelling? (See my anonymous 2013 letter on this question to the Haiku Maven advice column.) But of course, one can write about hard times from a place of acceptance rather than agony.

Despite the trope of the tortured poet—a corollary to the trope of the starving artist—there are plenty of life-affirming poets. Consider Mary Oliver’s lines, “When it’s over, I want to say: all my life/I was a bride married to amazement.” Maybe it comes from spending a lot of time in nature and learning to notice small details, but haiku poets in particular really seem to appreciate life’s gifts.

“scattered feathers” is 5x7, made of watercolor paper, an airmail envelope, washi paper, a vintage Janaese stamp, feathers, paint, thread, ink and glue on paper. © Annette Makino 2021

Tortured or not, I think the most effective poems come from being present and attuned to the world around you. You don’t necessarily have to suffer to write good poetry, but you do need access to depths of feeling and the gift of observation. This helps you write poetry that is accessible, involving some experience readers can relate to even if they have never gone through that exact event. An example:

dawn’s early light
the neighbor’s peacock
tunes up

Poetry—and I include Taylor Swift’s lyrics in that category—helps us make sense of this shifting world, the major triumphs and tortures along with the small moments that, strung together, make up our lives.

scattered feathers
the weight
of being human

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Makino Studios News

Red Moon Anthology: I am thrilled to have the following poem in Upside Down, the 2023 anthology from Red Moon Press of the best English-language haiku of the year. Editors nominated more than 3000 poems for the latest edition, and I’m honored that mine was one of the 146 haiku that made the cut. My thanks to the anthology editors.

alone at the beach
someone else’s dog
brings me a stick

Mother’s Day and graduation: I’ve stocked up on these cards for Mother’s Day (May 12) and graduation (Cal Poly Humboldt commencement is May 11). Browse all 70-odd card designs.

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Publication credits:
“dawn’s early light” - Mariposa; “scattered feathers” - Modern Haiku.

The reality of the artist life

“dream journal” is 8x10, made from book pages, newsprint, junk mail, vintage Japanese letters, washi papers, acrylic paint, glue, charcoal and white ink on cradled wood. It is also available as a card reading, “happy birthday to an extraordinary being.”

When you picture the life of a working artist, do you imagine days filled with sketching ideas or brushing canvasses in a paint-splattered studio? Maybe mixing buckets of paint and experimenting with colors and textures? That was certainly my impression before I became a full-time artist myself!

That picture may be true for some artists, but for me the reality is that actually creating art is just a small part of my work. You might say it's just one arm of the octopus. To give you some idea, here are a few things I’ve been doing these past few days.

• preparing a Zoom presentation and workshop on creating haiga (art with haiku) for a haiku group this Saturday afternoon (and you’re invited! Details in the Makino Studios News section);

• co-editing a conference anthology for the Seabeck Haiku Getaway I attended in October;

• updating my CV and submitting materials for a proposed show of local Asian American artists;

• shipping Makino Studios orders (especially 2024 calendars) and restocking stores (especially cards); and

• working on year-end accounting and tax prep for my business.

Oh, and I wrote several haiku. (As per usual, they are mostly bad, though I think there are a couple with potential.) I also went on several long walks at the beach, woods and marsh, which ultimately inspires most of my art and haiku.

While I sometimes feel frustrated that I don’t have more time in my studio, the reality is that most of these other activities are enjoyable too. For instance, I’m learning a lot about the editorial process by co-editing a publication for the first time. But I definitely do not enjoy bookkeeping!

year-end accounting
I try to reconcile
the past

The truth is that while most of my other commitments are ongoing throughout the year, I tend to create art in concentrated bursts, especially during my summer retreats on the river. My collage papers are just gathering dust right now, but the time will come when I dive back in to art making, tearing paper and splattering paint with gusto!

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I did dip into art-making when my two sisters visited recently. We had fun creating plant prints using leaves and grasses on a gel press, which I will use in future collages. (Photo: Yoshi Makino)

Makino Studios News

Haiga presentation/workshop: In this Zoom event for Komo Kulshan Haiku, a group based in the Pacific Northwest, I will present a selection of my haiga (art with haiku), talk about how to create haiga, and then lead a workshop on pairing haiku with images. You are invited to join this free meeting, which takes place this Saturday, January 20, 1-3 p.m. Pacific. Zoom link: https://us02web.zoom.us/j/89424637034

2024 mini-calendars: I still have some of these calendars of art and haiku for sale, which feature 12 colorful Asian-inspired collages with original haiku.

Valentine’s day cards: February 14 will be here before you know it! I have several cards suitable for Valentine’s Day, such as this collage design reading, “you are my heart’s delight.”

Free shipping: Use promo code FREESHIP35 for free shipping on any order of $35 or more.

From the archives: For more about the challenges of being an artist—and my 23 failed attempts to paint a simple frog—see my 2013 blog post, “The truth about being an artist.”

Thanks: I always appreciate your comments, especially the kind responses to the feature article, “Annette Makino’s life in collage” that ran in the North Coast Journal last month.

A few gel press prints made with plants, which I’ll use for collages.

News story on my art journey

I’m excited to share that this week’s North Coast Journal includes an in-depth article about my creative path! My thanks to Louisa Rogers for the lively and well-researched column—it’s a great holiday gift to be featured. Happy solstice and season’s greetings to all!

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Makino’s “Garden rosebush,” a collage of book pages, a letter and envelope from the artist’s grandmother, handmade and Japanese washi papers, painted, torn and glued onto birch wood panel.

ART BEAT

Annette Makino’s Life in Collage

LOUISA ROGERS, NORTH COAST JOURNAL, EUREKA, CA, DECEMBER 21, 2023

Annette Makino has been an artist all her life but it wasn't until 2010 that she became interested in incorporating haiku into her artwork. For her birthday that year, her Arcata friend and fellow artist Amy Uyeki gave her a book of senryu, a poetic form structurally similar to haiku but with more humor and a focus on human nature. The poems were written by Uyeki’s Japanese grandmother and accompanied by Uyeki’s art.

“This lovely book set me on my current path,” says Makino, whose father is also Japanese. She started combining her haiku with simple brush paintings, which evolved to Asian-inspired watercolors and then collages. A year later, after leaving her 20-year career as senior vice president for communications at the Arcata-based nonprofit Internews, she launched Makino Studios, offering collages, watercolors, prints, cards and calendars.

Annette Makino. Photo by Maya Makino

Currently she works mostly with collage using hand-painted and torn Japanese washi papers, which are typically made from the fibers of the mulberry plant. She also uses other papers from different parts of her life—letters, her young nephew’s scribbles, book pages, musical scores and maps. To make sure the pieces don’t fade over time, she uses acrylic paints to color the white paper, then tears it into the shapes she wants and glues it onto paper or wood, a process that typically takes two to three days. According to Makino, a common misconception is that collage doesn't require much skill. “It’s very labor intensive and can involve as much skill as painting,” she says.

Makino’s most productive periods of artwork happen twice every summer, when she and her husband, Paul, a retired Cal Poly Humboldt geography professor, rent a cabin on the Klamath River in Orleans, a place they've visited for 27 years. In that placid location, free from distractions, she can get a lot of work done.

Makino usually writes the haiku first, before the artwork. “The words aren’t meant to illustrate the art,” she says. “You want a bit of distance, so the reader has a new way to think about the theme.” She often starts crafting the poem while hiking in Ma-le'l Dunes or in Trinidad, where she and Paul walk a couple of times a week.

Makino considers herself equal parts artist and writer. Her book Water and Stone: Ten Years of Art and Haiku was awarded Honorable Mention in the Haiku Society of America's Merit Book Awards and her poetry regularly appears in English-language haiku journals, including Modern Haiku, Frogpond and The Heron’s Nest. She has also won awards for her poetry from the Haiku Foundation and the Haiku Society of America.

Annette Makino’s “All that I am” incorporates book pages, a fern print, a vintage Japanese letter and washi paper, as well as asemic, or made-up, writing by her nephew.

Many of Makino’s haiku have to do with transitions. A few years ago, for example, when her two young adult children started the process of leaving home, she wrote about the empty nest, while the loss of her 16-year-old dog inspired many poems last summer. Her 95-year-old mother Erika, a former Humboldt resident and also a writer and artist, lives three hours away in Mendocino County. Makino visits her about once a month and is keenly aware of her mom’s gradual decline. That, and the earthquake last winter which caused a lot of damage to her home, have inspired her poetry and art. “Whatever life brings me,” she says. 

Makino was one of five local artists granted the 2022 Victor Thomas Jacoby award for “artistic vision and creativity,” provided annually by the Humboldt Area Foundation and Wild Rivers Community Foundation. Winners each received $10,000 to support their work. The award freed her from some of the commercial pressures of running a business and creating mostly marketable art that appeals to the public. Instead, she experimented with mixed media, using materials like charcoal, crayon, ink and pencil in her collages, and exploring oils and cold wax.

North Coast Journal, December 21, 2023

Recently, she’s been incorporating more personally meaningful elements into her collages. Because Paul loves maps, she created a collage for him that included a detailed map of Tibet. Another collage she created with whales incorporated a scrap from her daughter’s high school copy of Moby Dick. For “Garden rosebush,” she says, “I included a letter from my Swiss grandmother when I got married.”

Makino’s Japanese-Swiss ancestry has shaped her creativity. The haiku and Japanese paper may be more apparent to viewers but, “The Swiss, too, are surprisingly very playful in their art and writing,” she says, noting she likes to bring that spirit of play into her work.

Makino’s cards, prints and calendars are available at the Made in Humboldt Fair at Pierson Garden Shop through Dec. 24, and in shops around the county year-round. You can see more of her work at makinostudios.com.

Louisa Rogers (she/her) is a writer, painter and paddleboarder who lives in Eureka and Guanajuato, Mexico.

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Makino Studios News

Made in Humboldt fair: With 300 local vendors, the “Made in Humboldt” event at Pierson Garden Shop in Eureka, CA runs through this Sunday, Dec. 24. There you will find my calendars, books, small prints and boxed notecards.

2024 mini-calendars: I am still shipping out orders through the holidays, especially my calendars of art and haiku! They feature 12 colorful Asian-inspired collages with my original haiku. $12 each.

Free shipping: Earn free shipping on orders for $35 or more; just enter promo code FREESHIP35 at checkout.

Waiting for whales

Sometime last winter, on a coastal trail in Trinidad, CA, my husband and I sat on a bench and watched for migrating whales. We didn’t spot any, but there was a spectacular view of the ocean far below. I joked, “We’ll just have to settle for the Pacific.” Later that experience prompted a haiku.

A few months later, while at the riverside cabin we rent every summer, I had the urge to make a collage of a whale. Though I prefer to use my own photos, in this case I had to turn to Google. I found several appealing images of gray whales to use for reference and quickly sketched the idea.

Next I flipped through the collection of papers that I have painted blue. Sometimes I have to paint the papers I need for a particular piece; other times I’m lucky enough to find what I want already prepared.

Eureka! There was a piece of rice paper that I had quickly painted with turquoise blue liquid acrylics, deliberately leaving white streaks. (These are known as “flying whites” in Japanese calligraphy.) Turned on the diagonal, that sheet of paper perfectly conveyed the quality of beams of sunlight filtering underwater.

I also found some washi papers from Asia that I had painted dark blue using a brayer and a gel press, with bits of rice straw and wood shavings showing through. It was time to start tearing my papers into the desired shapes.

But the single whale in my draft looked lonely. The piece called out for a second whale.

Months earlier, I had painted some pages of my daughter’s high school copy of Moby-Dick. Perfect for the second whale’s fins! I glued everything down on a cradled wood panel. Now the two whales looked like they could be playing with each other, a much more interesting dynamic.

At home later, I added some finishing touches: charcoal to create shadows, a white pencil for highlights, and specks of white ink to make the eyes come alive. I glued on an imprint of my red name seal. I had the piece professionally scanned, then added the haiku digitally using a personalized font made from letters I had brush-painted.

waiting for whales
we settle for
the ocean

The finished haiga is my favorite piece of the year. It is the January art for my 2024 calendar of art and haiku, and I also made a card version that reads, “so glad you’re part of my pod.” (That has emerged as the best-seller among the eight new card designs I released this fall.)

“waiting for whales” is 8x10, made of rice paper, Japanese washi paper, book pages, acrylic paint, glue, charcoal, white ink and white pencil on cradled birch panel. © Annette Makino 2023

Another recent poem about whale-watching, a one-line haiku:

nowhere I’d rather be migrating whales

We didn’t find any whales on that hike, but I found plenty of inspiration. And with gray whale migration season starting again, we’ll keep our eyes peeled!

P.S. If you’re curious about the haiga art form, the Haiku Society of America has just published an essay I wrote titled, “Pleasures and pitfalls in creating haiga.”

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“waiting for whales” appeared in the Haiga Gallery of Contemporary Haibun Online, December 2023.

“nowhere I’d rather be” appeared in The Heron’s Nest, September 2023

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Makino Studios News

2024 calendar sale: These calendars of art and haiku are 10% off through this Sunday, Dec. 10! They feature 12 colorful Asian-inspired collages with my original haiku. Normally $12 each, currently $10.80.

Free shipping: Earn free shipping on everything in the shop through Sunday, Dec. 10, 2023. Enter promo code HOLIDAY23 at checkout. No minimum order. Applies to first-class shipping in the US.

Holiday Craft Market: The only in-person fair I am doing this season takes place this 10-5 this Saturday, Dec. 9 and 10-5 on Sunday, Dec. 10, at the Arcata Community Center in Arcata, CA. $1 admission. Catering by Mother’s Cooking Experience. Hope to see you there!

Made in Humboldt fair: The “Made in Humboldt” event at Pierson Garden Shop in Eureka, CA runs through Sunday, Dec. 24; there you will find my calendars, books, small prints and boxed notecards. There are 250 participating vendors, all local.

Water and Stone: My award-winning book of art and haiku includes 50 watercolor paintings with my original poems. Cost is $25. You can find it online here, on Amazon and in select local Humboldt stores. 

Cards: Holiday, birthday, sympathy or everyday… right now there are 70 Makino Studios card designs to choose from, including eight new designs. I also have several notecard sets, including holiday designs.

Holiday order deadline: To make sure your package arrives by December 25, please order by Friday, December 15. Makino Studios ships via USPS Ground Advantage and first-class mail. The elves are standing by!

Thanks: I always appreciate your comments, including all the emailed responses to my last post, “It’s complicated: Celebrating a holiday with a dark past.”