Sneak preview of the new collage collection

“fog becoming redwoods” is 8 x 10, made of paper, acrylic paint, and adhesive on illustration board. © Annette Makino 2020.

“fog becoming redwoods” is 8 x 10, made of paper, acrylic paint, and adhesive on illustration board. © Annette Makino 2020.

First of all, I want to thank everyone who responded to my last post (Big Changes in the Studio), where I shared my new artistic direction creating Japanese-inspired collages. I was genuinely uncertain whether this big shift in style and technique would appeal to my longtime fans and customers. 

But based on your enthusiastic responses, I have gone ahead and designed a line of fifteen new greeting cards based on my collages. These new cards should be back from the printer on Monday. To sneak a peek at the new collection, see this page of all my Makino Studios card designs. I’m excited to share my new designs for the holidays, birthdays, sympathy and more.

I’m also very happy about my new 2021 calendar of art and haiku. This is my eighth year of producing these—and my favorite yet. Arriving next week, these mini-calendars feature a dozen of my new collages along with original haiku.

I’m not able to do any in-person holiday fairs this year, and some of my retailers are seeing reduced sales during this pandemic. Consequently, I have printed 100 fewer calendars than usual. So order soon to be sure to get enough for yourself and for holiday gifts!

My collages, using discarded materials such as old letters and canceled checks as well as hand-painted washi papers, may be a fitting medium for this strange, disjointed time. In adapting to the pandemic, we are all having to gather bits and pieces from our old lives, then transform and rearrange them in unexpected ways. 

Please let me know your thoughts on the new collection, and enjoy! 

“what remains” is 8 x 10, made of paper, acrylic paint, and adhesive on illustration board. © Annette Makino 2020. The haiku was originally published in With Cherries On Top, Press Here (2012).

“what remains” is 8 x 10, made of paper, acrylic paint, and adhesive on illustration board. © Annette Makino 2020. The haiku was originally published in With Cherries On Top, Press Here (2012).

Makino Studios News

Seabeck Haiku Getaway: I will be giving a reading of my haiku and presenting my new collage haiga (art with haiku) at this annual gathering, which is being held on Zoom this year. This free event takes place Oct. 31-Nov. 1. Registration is full but you can sign up for the Seabeck waiting list; the organizers hope to make room for more participants.

Made in Humboldt fair: You can find my calendars, prints and boxed notecards at the “Made in Humboldt” event at Pierson Garden Shop in Eureka, CA from Tuesday, Nov. 10 through Tuesday, Dec. 24. This will be the only fair where you can find my work this season, as the annual holiday fairs at the Arcata Community Center and Redwood Acres are canceled. My cards and calendars are also available in select stores.

Big changes in the studio

“telephone pole” is 8 x 10, made of paper, acrylic paint and adhesive on illustration board with the words digitally added. The haiku was first published in A Moment’s Longing, Haiku Society of America Members’ Anthology, 2019, Ed. Tanya MacDonald.

“telephone pole” is 8 x 10, made of paper, acrylic paint and adhesive on illustration board with the words digitally added. The haiku was first published in A Moment’s Longing, Haiku Society of America Members’ Anthology, 2019, Ed. Tanya MacDonald.

With business slowed by the pandemic and time on my hands during these long months of sheltering in place, I have been up to something big in my studio. To be honest, I have felt shy about sharing it while my new work is in the process of being born. That’s why I haven’t written in some months.

But the baby has taken its first breath, so here goes. After ten years of painting with sumi ink and Japanese watercolors, I have set that approach aside to develop a whole new style of art. I have begun making collages from hand-painted and torn washi papers, sometimes combined with old letters, book pages, maps and other found papers. These collages draw inspiration from the natural landscapes of Northern California and from my Japanese heritage.

Although they can take just as long to create as my paintings, these days I am having more fun with collages and finding them to be very rich emotionally. For instance, the woodpecker collage shown here incorporates bits of an airmail envelope from my late grandmother, a score from my old choir and pages of Moby-Dick with my daughter’s high school notes in the margin. 

Traditional Japanese washi papers are made from the inner bark of mulberry bushes and other plants. The papers I use start out white, often with embedded organic bits such as fiber threads and leaves. In a technique I learned from Washington artist Donna Watson, I mix my own colors and apply paint to the backs of the sheets using a brayer. This way, the colors bleed through but the textured bits and any printed patterns are still visible. 

I also embellish grocery lists, canceled checks and discarded sumi ink paintings. In the alchemy of collage, every aspect of life can be transformed into something rich and beautiful.

These new collages will form the basis of my 2021 calendar of art and haiku. I’ll let you know when they’re available, hopefully next month. At that point you’ll also be able to view more examples of this new work.

I am still deciding whether to create card versions of these designs, with card-appropriate words rather than haiku. I would love to get your honest opinion on whether people would buy these, even (especially) if you think they would not hold much appeal. 

With this new collage art in its infancy, I am still working out how to piece it all together, literally and figuratively. I deeply appreciate your support for my work to date and I look forward to your frank feedback on this new direction.

warmly, Annette

P.S. I will continue to offer my most popular watercolor card designs while gradually phasing out the slower sellers. That means supplies of some card designs are limited; everything I’ve got is for sale on my Makino Studios website.

“mountain switchbacks” is 8 x 10, made of paper, acrylic paint and adhesive on illustration board with the words digitally added. © Annette Makino 2020. The haiku was first published in Acorn, Number 43, Fall 2019.

“mountain switchbacks” is 8 x 10, made of paper, acrylic paint and adhesive on illustration board with the words digitally added. © Annette Makino 2020. The haiku was first published in Acorn, Number 43, Fall 2019.

Makino Studios News

Best of Humboldt: Thanks to everyone who voted for me for Best Local Artist in the North Coast Journal’s annual Best of Humboldt contest! I'm pleased to be a finalist (2nd place), especially in a county with so many talented artists.

Seabeck Haiku Getaway: I will be giving a reading of my haiku and presenting my new collage haiga (art with haiku) at this annual gathering, which is being held on Zoom Oct. 31-Nov. 1 this year. Registration is full but you can still sign up for the waiting list.

Canceled Humboldt events: The North Country Fair, normally held in late September, is canceled this year, as are the annual holiday fairs at the Arcata Community Center and Redwood Acres. You can still find my paintings, prints and cards online here; my cards are also available in select stores.

Best of Humboldt

“sandstone trail” is 11x14. It is painted on paper with sumi ink and Japanese watercolors. This was a commissioned piece that has sold, but it is available as a card reading, “happy birthday, bright spirit.” © Annette Makino 2020

“sandstone trail” is 11x14. It is painted on paper with sumi ink and Japanese watercolors. This was a commissioned piece that has sold, but it is available as a card reading, “happy birthday, bright spirit.” © Annette Makino 2020

Artist Annette Makino paints with Japanese watercolors in her Arcata, California studio. Photo by Brandi Easter Photography.

Artist Annette Makino paints with Japanese watercolors in her Arcata, California studio. Photo by Brandi Easter Photography.

I am excited to share that I've been nominated for Best Local Artist in the North Coast Journal's 2020 Best of Humboldt contest! I am one of only three finalists.

Though I have many loyal fans, I have never received any formal recognition for my art, so this honor means a lot. Thanks to all who nominated me! 

Please show your support for me and all your favorite Humboldt County businesses by voting at northcoastjournal.com/BOH20.

Anyone is eligible to vote, and you can vote once per day until June 30. So vote early and vote often!


Pomp and extreme circumstances

After five years, five majors, and three schools, my daughter Maya graduated from college this month. Of course a normal commencement ceremony was out of the question in the midst of the Covid-19 pandemic. So we had to get creative. Luckily, artists are good at thinking outside the box!

Poems for the pandemic

Poems for the pandemic

It feels like the coronavirus changed everything in a nanosecond. Today is International Haiku Poetry Day, so here is one small window on these crazy times, sprinkled with haiku.

Connect with a card

Connect with a card

Let's face it, social distancing can be lonely. While we're all staying home and self-isolating, let me send greeting cards from you to your friends and family. During this strange and stressful time, I will hand-write your message on any card you purchase through this site, then mail it to your recipient for free

From the ashes

From the ashes

Last fall’s Kincade Fire was the worst of California’s 2019 wildfires. The school where my sister teaches was closed for three weeks. When it finally reopened in November, Yoshi had an idea: to have her art students harvest charcoal from the burned logs on the school grounds, and use it to draw a mural of phoenixes.